Newsletter 22 September 2023

The forthcoming 2023/24 season (commencing on 14 November) is close to being finalise, and we now have agreement with the Distributors for 9 of the 10 films confirmed. They are:

  • Tuesday 14 November: Broker (Hirokazu Kore-eda, South Korea, 2022)
  • Thursday 7 December: Pamfir (Dmytro Sukholytkyy-Sobchuk, Ukraine, 2023)
  • Wednesday 17 January: War Pony (Riley Keough/Gina Gammell, USA/UK, 2023)
  • Tuesday 23 January: The Eight Mountains (Felix van Groeningen/Charlotte Vandermeersch, Italy/Belgium, 2023)
  • Wednesday 14 February: A Matter Of Life And Death (Michael Powell/Emeric Pressburger, UK, 1946 (BFI 4K Restoration))
  • Thursday 29 February: Godland (Hlynur Pálmason, Denmark/Iceland, 2022)
  • Wednesday 13 March: Love According To Dalva (Emmanuelle Nicot, Belgium, 2022)
  • Thursday 28 March: Plan 75 (Chie Hayakawa, Japan, 2022)
  • Wednesday 3 April: To be confirmed
  • Wednesday 17 April: Return To Seoul (Davy Chou, France, 2022)

Note: Pamfir, on 7 December will be preceded with a short AGM.

Over the next few weeks I will be updating the Chelmsford Film Club website with details of each film (pages for the first 4 films can be accessed via the carousel on the Home page – the remainder will follow shortly)

We hope to see many of you at the Chelmsford Theatre Studio (formerly The Cramhorn Theatre). Details of how to join can be found on our Membership page.

Newsletter 30 June 2003

Following the successful ‘Short Season of 5 Films’ held in April and May of this year, the
Committee met recently and agreed to present a further season of 10 films, beginning in November and running through to April 2024. The dates for your diary will be:

Tuesday 14 November
Thursday 7 December
Wednesday 17 JanuaryTuesday 23 January
Wednesday 14 FebruaryThursday 29 February
Wednesday 13 MarchThursday 28 March
Wednesday 3 AprilWednesday 17 April

As soon as film titles can be matched to these dates, we will let you know. Many of you will
already be aware that, as for the short season earlier this year, the number of contemporary films available for hire and licensing by clubs like ours is now extremely limited as most are ‘streamed’. Sadly therefore, it is no longer practical to provide a list of films from which members can make a preferred choice, as we have done in the past. However, please do get in touch with me or with our Membership Secretary, Malcolm Reid, if you would like to recommend a title: it just might be available!

I’m sure you will also be aware that since 2019, when we last presented a Film Club programme, costs have risen considerably. Based on present membership numbers and the total costs of hiring our venue – The Studio in Chelmsford – and paying the licensing fees for the films, the Membership Fee for 2023-24 to cover these costs will be £70: the guest ticket will be £12. If you have been to any cinema recently, I feel sure you will see that the increased membership fee still represents extremely good value for money for our 10 films. Even the guest price compares favourably with The Studio’s charge for films (£13 to £16.50 plus £1.50 booking fee).

Given the Club’s present, modest, reserve fund, it is vital that current membership numbers be maintained and, hopefully, increased if the Club is to have a future. As a committee, we will do everything we can to reduce our costs – for example, in the way we publicise the programme.

I do hope you will be able to continue your membership and encourage as many new members as you can to join as we embark on our new season, our 34th in Chelmsford. I look forward to hearing from you and will be in touch with you again shortly.

Best wishes

Peter Bunyan – Chair of Committee

pfbunyan@btinternet.com

Audience Feedback for Saint Omer

There were 10 reaction slips returned following the screening of this film.  The responses were:

  • ‘Excellent’: 6 votes
    • Excellent Film. Difficult subject matter masterfully conveyed – want to say a lot more but
    • stuck for words. Shouldn’t watch when pregnant!
    • Very moving. Full of questions, including what it can be like going from a colonised country
      to the colonising country and keep sanity. Very strong about what being a woman is like.
      Many thanks to the Film Club & the director. Also, all subtitles clear, unlike the Almodóvar
      film.
    • A fantastic film, very thought provoking. It’s why we need a film club.
    • Interesting food for thought – childbirth changes women.
    • Fascinating: a film we, the audience, have to work as hard at as the jury in the trial. And Nina Simone at the end! Great end to the ‘Short season’.
  • ‘Very Good’: 2 votes
    • A challenging, thought provoking and strangely haunting film. Superb performances from Rama and Laurence.
  • ‘Good’: 1 vote
    • Although I found the court scene absorbing, I wanted a less open-ended end.
  • ‘Satisfactory’: 1 vote
    • Not my cup of tea, this film.
  • ‘Poor’: 0 votes

Plus one comment (via email) without any indication of a score:

  • A though-provoking film, two views of the Black, African, experience in White Europe. If a quick fish through the films that happen to be available are of the level of the three I’ve seen in this short season, then the Film Club should really keep going!

We are always interested to receive any additional comments people may have on this film and welcome all contributions to this forum.

If you did not leave comments after the screening, but still wish to do so, you can leave them in the “Leave a Reply” box.