Audience feedback for “Cold War”

There were 26 reaction slips returned following the screening of this film.  The results were:

  • ‘Excellent’: 14 votes
  • ‘Very Good’: 8 votes
  • ‘Good’: 2 votes
  • ‘Satisfactory’: 1 vote
  • ‘Poor’: 1 vote

To read all the comments, click on the following link:
Audience feedback for “Cold War’

We are always interested to receive any additional comments people may have on this film and welcome all contributions to this forum.

If you did not leave comments after the screening, but still wish to do so, you can leave them in the “Leave a Reply” box.

News – 25-Sept

Our Next Presentation:  COLD WAR

THE CRAMPHORN THEATRE, CHELMSFORD – Monday 7TH October @ 8PM

-1968Days -15Hours -9Minutes -48Seconds

Set against the backdrop of the 1950s Cold War, Pawlikowski’s love letter to his parents has been described as a near-perfect film, artfully crafted and flawlessly acted. Two people from differing backgrounds begin an almost impossible romance. For a black-and-white film with such an unsparing, unsentimental approach, it manages to feel lush, passionate and stark all at once. (Read more…)

Our Previous Presentation ‘SHOPLIFTERS’

Audience Feedback for “Shoplifters”

Audience Feedback for “Shoplifters”

There were 33 reaction slips returned following the screening of this film.  The results were: ‘Excellent’: 19 votes ‘Very Good’: 14 votes ‘Good’: 0 votes ‘Satisfactory’: 0 votes ‘Poor’: 0 votes To read all the comments, click on the following … Continue reading

Source:

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Audience Feedback for “Shoplifters”

There were 33 reaction slips returned following the screening of this film.  The results were:

  • ‘Excellent’: 19 votes
  • ‘Very Good’: 14 votes
  • ‘Good’: 0 votes
  • ‘Satisfactory’: 0 votes
  • ‘Poor’: 0 votes

To read all the comments, click on the following link:
Audience feedback for “Shoplifters’

Following 2016’s After the Storm and 2017’s Third Murder (not shown by the Film Club), “Shoplifters” marks a return to Kore-eda’s studies of Japanese Family values, and was a worthy winner of Cannes 2018 Palme d’Or. Several responses (including mine) have commented on the way the story completely turned in on itself, shattering the illusion of a strong ‘Family’ bond that had been built up in the first hour.

Always a popular choice among Film Club members, this is the first of two of Kore-eda films being shown this season (following the restoration by the BFI of his first 4 films, we have taken the opportunity to also screen Maborosi, his 1995 directorial debut)

We are always interested to receive any additional comments people may have on this film and welcome all contributions to this forum.

If you did not leave comments after the screening, but still wish to do so, you can leave them in the “Leave a Reply” box.